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OUTBACK LULLABY HB

Author Odgers,Sally

Illustrator Stewart,Lisa

Item Code 8455499

Product Type Book

Format Hardback

ISBN 9781760276485

Series Outback Lullaby

Publisher SCHOLASTIC AUSTRALIA

$24.99
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  • Description
  • Details
  • About Author
As the sunset spreads its glow,
Little brolga’s dancing slow.
The outback hums with twilight sounds.
Numbat dreams of termite mounds.


From the creators of Bushland Lullaby and Rainforest Lullaby comes this desert ballad. Outback Lullaby is an enchanting bedtime companion.

Genre: General Fiction, Animal Stories

Subject: Picture Books

Reading Level: Early Childhood, Foundation

School Year: Early Childhood, Pre-School, Foundation

Ages: 3 to 5

Page Count: 24

Sally Odgers

Where were you born? Where do you live now?

I was born near Latrobe, Tasmania and still live here.

Where did you go to school?
I went to school in Latrobe, Tas.

What were you like in school?
I was small and mousy. Because I have a strangely skewed body clock my brain didn’t kick in until about 10 a.m. so I expect my teachers thought I was a very odd child.

What is the naughtiest thing you did?
I don’t remember being deliberately naughty. I do remember being surprised at getting told off for things I didn’t think were naughty! As an adult, I find it mildly disconcerting when children are encouraged to do something on the one hand and then told off for it on the other. An example is, 'Don’t run around' in one breath and 'For goodness sake get out and get some exercise' in the next. 

What was your favourite book growing up?
There were several. I loved the Guara series, Howl’s Moving Castle, the Romney Marsh series, the Blue Door series, The Cats of Honeytown, Ruth Park, Displaced Person (might have been older by then), Jamberoo Road, some of E. Nesbit’s books, Ethel Turner’s books, L. M. Montgomery’s books, Robert Heinlein’s junior science fiction, Nan Chauncey’s Tasmanian-set books, Geoffrey Trease’s historical adventure and modern treasure-hunting books, Gerald Durrell’s early memoirs — OK, I’ll stop now.

Who is your favourite children’s author?
Probably Diana Wynne Jones and/or Elizabeth Marie Pope and Monica Edwards are my longstanding favourites. I have many more recent favourites that I would have loved as a child but which weren’t written until I was an adult. These include Memory’s Wake (Selina Fenech), Michelle Tatam’s science fiction titles, The New Policeman (Kate Thompson), Polymer (Sally Rogers-Davidson) Annie Dalton’s The Witch Rose, Margaret Watts’ Legacy of the Skywasp, Donaya Haymond’s Laconia series and, as before, many others. I often have a favourite author for one or two books. I don’t necessarily like ALL his/her books which is why I tend to cite books rather than authors.

Naturally, I love the Jack Russell and Pet Vet series. I think, looking at these, what I enjoy is a book with engaging characters and that something a bit different. For example, I love Polymer which is a rip-roaring space opera and Australian to boot. Diana Wynne Jones was a writer who seems to have broken rules left, right, centre and backwards, and the more bonkers her ideas the better I like it. Some of my YA books rank among my favourites. This is less to do with vanity than with writing what I wanted to read.

Who inspired you to write?
Family and authors whose books I enjoyed, I think.  A couple of my teachers also gave me a great deal of confidence, especially my Grade Four teacher Mrs Ting and my Year 7/8 English Expression teacher, Mrs Collis.  Both these offered to read and edit stories I wrote in my own time in their own time. That was a huge gift to me. My sister was an author, and that was valuable too as it proved a Tasmanian kid could be an author.

How did you get started?
I was good at writing stories from my first years at school. A friend of Mum’s suggested I should try the NSW School Magazine, so I did, and my story was accepted. Around the same time, I won or placed in some state writing contests.

How old were you?
I wrote my first published story in 1969 and my first published book in the mid 1970s when I was fifteen or so. I wrote three other books first and a kindly editor who rejected the second of these suggested I should try a collection of short stories. I did and she accepted it.

Why did you want to be a writer?
It was something I loved doing and that I was good at. My teachers praised my stories, which was lovely since many of my other activities (maths and organised sport and art and handwriting etc) were anything but praiseworthy. It made sense to me to write because  (a) I was good at it (b) I wasn’t skilled at other things and (c) people I trusted were pleased with my stories.

How do you think up ideas?
They just pop into my head, often as a result of something I see, hear or do. Some of my stories have come from a single concept or line. For example when I was young, I was small for my age. This was a disadvantage, but it made me able to slide through the dog flap when Mum accidentally locked the keys in the house. I took that concept of turning a disadvantage into an advantage and wrote one of my favourite fantasies. Another came from a new report on the correlation between socio-economic status and the number of children people had. That became a YA sf novel. My fascination with names and naming has led to several titles. A remark by my husband got us talking about dogs and detection and that led to the twelve Jack Russell Dog Detective books.

Do you have a special place where you write?
Mostly I write in an armchair with my laptop on my lap. When I used a desktop computer or a typewriter, I generally sat at the desk in whatever room it happened to be in. I wrote some early stories out in the paddock, or in the barn, in exercise books.

What is the best thing about being a writer?
It gives me a modicum of power. I can’t fix the world or even things that impinge on me and my family but I can create a world where the rules work the way they don’t in real life. It also allows me to earn a living.

Have you had any funny or embarrassing moment as a writer?
A lad once approached me after I did a writer’s talk at a school in Sydney and asked me if one had to look weird to be a writer. Then there was the huge cockroach that scurried towards me across a white shag-pile carpet while I was doing a story-telling session in another Sydney school. A teacher cornered it, and tossed it out of a second-storey window. It scurried off with undiminished vim.

What do you do when you are not writing?
Edit, walk the dogs, listen to music, watch sci-fi or fantasy series (currently I’m enjoying GRIMM), read, garden, cook, mess about with my websites…

What would you have chosen to be if you were not a writer?
I really don’t know. I don’t have any other specific talents and I’m probably not organised enough for office work. Shop assistant or farm worker, maybe? I suspect I’d have lived in my hobbies.

Is there anything else you would like to tell us about yourself?
I’ve probably said too much already.

Website/blog details  
(too many to mention… here’s a selection.)
www.sallyodgers.com
www.jackrusselldogdetective.com
spinningpearls.blogspot.com
http://www.printscharmingbooks.com/
http://sallyodgers.weebly.com/
http://www.thefairiesoffarholt.com/

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